An Adventure A Day

Because "life is either a daring adventure or nothing at all" – Helen Keller

In the past year, I’ve made it a point of going out on my own and exploring Rome. Sometimes I only managed one or two outings a month, and other times I’ve managed an outing each week. I’ve revisited new shows in museums and churches I’d visited in the past, and discovered many more along the …

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The Aventine Hill is the southernmost of Rome’s seven hills. It is a peaceful residential area that seems a world away from the bustle of other areas of Rome. I began my exploration at Terme Caracalla, located just to the south of the Circus Maximus on the Caelian Hill. The enormous ruins housed a public bath …

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Dense Travels on Thursdays in Trastevere

April 1, 2017


Dense is an appropriate word to describe Rome. Dense with history, dense with museums, dense with churches, densely woven narrow streets, dense with tourists, densely populated, dense with richly individual Riones, including Trastevere. Over the past two weeks, I have found myself wandering the small region on the southern end of Rome, trying to acquaint myself with the population and characteristics of this traditional residential area.

Trastevere comes from the Latin Trans Tiberim – across the Tiber. Until the Middle Ages and the creation of the Jewish Ghetto, it was a strong Jewish center. It is home to two of the oldest churches in Rome – Santa Maria in Trastevere, and Santa Cecilia. I have found that the Trasteverini – the natives of the Trastevere Rione, to be the friendliest and most welcoming population in Rome. The historical intercultural character of the area makes it attractive to tourists, artists and expats. Today, it is full of restaurants, shops, and tourists. In the early mornings, however, you can still catch a fleeting glimpse of the neighborhood as it was.

Although I’ve read a substantial amount of information about the area of Trastevere, it wasn’t until recently that I really began to explore it. The center point of my earliest ventures inside the Rione was the Museum of Rome in Trastevere. I highly recommend a visit to this small museum. I first visited because of the 2016 World Press Photo exhibit, but the museums permanent displays proved just as interesting. On permanent display in the museum are the gallery of Roman scenes, a collection of paintings with Rome as the central theme, as well as the scenes from Roman life, where mannequins in period costumes are set in tableaus of ordinary scenes from days gone by.

If you find yourself in Piazza Sant’Egidio, I highly recommend a stop in to look around. The museum is currently hosting a show on the photographic works of Vivian Maier. Ms. Maier is a fascinating story, if you haven’t heard of her you can view her work on the official website. Ms. Maier’s photographs are stunning and well worth a visit to the museum.

It is the confluence of her story and her photographs that make this exhibit so interesting. Many of the photos were never developed in her lifetime. The photographer would never see this stunning collection of photos beyond the view piece of her camera. Now, we are presented with a lens by which to observe what she saw, and interpret it as we will. What do you see reflected back to you in the portraits and every day scenes given to us through the talent of Ms. Maiers?

“Photography is the utmost proof of our own existence… and faced with Maier’s incredible talent and desire to keep her photography activity a private matter, we are dazed and confused. In observing her body of work it’s us who try to complete the information we have on her life with what we presume through her pictures; we attempt to guess whether she was happy, distressed, whether her hardened stare is the testimony of a hard life, or simply a moments concentration.” From the Museum guide of the Maier photography exhibit

Running concurrently is an exhibit on the history of Chinese propaganda posters. I found this exhibit fascinating not only for the beautiful art, but the descriptions which had a much more sympathetic view of Chinese Communism than that which I am used to reading.

 

The Piazza Santa Maria in Trastevere is located just around the corner from the Museum of Rome. The Basilica of Santa Maria in Trastevere dominates the lively square, anchored with restaurants and usually filled with tourists resting on the steps of the fountain, relaxing to the sounds of the ever present street musicians.

Rome is densely populated with churches, and the Trastevere district is no exception. If you are only going to visit one church in this district, Santa Maria in Trastevere won’t disappoint. I have seen an overwhelming number of churches and cathedrals in Europe, and this one stands out. It ranks among my top three favorite in Rome. The others being Santa Maria degli Angeli near Termini and Santa Maria Sopra Minerva near the Pantheon.

Santa Maria in Trastevere is magnificently mosaicked in gold with an intricately designed tiled floor. I was awed by the gilded interior of this church. According to the book A Catholic’s Guide to Rome, this church is perhaps the site of the first public Christian liturgy in Rome, the earliest Marian devotion, and the first parish organization. According to legend, this church was erected on the spot of a mysterious fountain of oil sprang from the ground on the day that Christ was born. There is a marker in the church, but, alas, I was so stunned by the mosaics that I appeared to have walked right past it.

On the day of my visit to the Vivian Maier exhibit, I left my maps at home. This was a miscalculation on my part, and in my effort to look less like a tourist, I ended up adrift among the dense warren of narrow crooked streets. I have to tell you, wandering through Trastevere without a map, or a clear idea of where you are going, is not the best way to see the area. Because I knew the way to Piazza San Egidio, I armed only myself with a faint copy of a map from a guidebook, and attempted a self-styled walking tour of Trastevere. With only my internal sense of direction to guide me, it was not a resounding success. I did manage to visit two other churches, but instead of walking the circumference of the region, I somehow ended up circling back the way I came. I did, however see some very lovely streets, many of them more than once.

The next church I stopped in was Santa Maria del Orto, because I found myself walking past it and it was open. The most interesting thing about this church is that many of the altars were sponsored by guilds, including the chicken sellers. According to the churches own website, it was built at the site of a miracle which occurred in the form of a vision of Mary in the garden.

Eventually, I found myself standing in front of the Basilica of Santa Cecilia in Piazza Santa Cecilia. It was around lunchtime, but I decided to check and see if the church was still open. It was, and I had an exceptional visit, where I nearly got locked in a crypt. Following my close call in the basement of the church, I was quite hungry and set off to find a place to eat. It was then that I discovered the best suppli in Rome, at a small take-out place called I Suppli on Via di San Francesco a Ripa 137. This was a serendipitous discovery, one which I discovered because I was lost, and this place had no line. What I didn’t know until later is this place is famous for its traditional suppli, and usually has quite a long line. Most of the suppli you find in Rome have very little flavor in the sauce, these pieces of deliciousness are bursting with flavor. Oh. My. Goodness. A visit to I Suppli is worth a trip to Trastevere. I also had a piece of  the pizza taglia – pizza by the slice. I took my delicious discovery and ate it on the steps of the fountain in Piazza Santa Maria, enjoying the serenading street performers.

Although my morning was dense with discoveries, I still had plenty of time before I needed to catch the bus home. I decided to conquer the Gianicolo Hill and observe the view. This hill is the site of a daily cannon firing, and the location of some of the best views in Rome. I stopped a Trasteverini out walking his dog and asked him for directions. He corrected my pronunciation of Gianicolo, told me it was a beautiful place, then he told to go up, until I needed to go right. It made perfect sense.

On the way up, I passed a very crowded side street, but since I could still go up, I assumed it wasn’t yet time to go right.

Eventually, I ran out of sidewalk. I decided it was time to go right. I went up a set of stairs, half hidden by branches and fallen leaves and exited into a field near a large monument. I knew I was in the right area, because I remembered reading about this particular monument – a memorial to a battle with the French soldiers that fought against Garibaldi and his troops engraved with the saying Roma o Morte – Rome or Death.

Just up the hill from the monument was another site I had read about, a fountain erected to mark the opening of an aqueduct. Across the street was the Spanish Embassy, and it has lovely views. I’m not sure where I thought they could fire the cannon from, but in my mind I had reached the apex of the Gianicolo Hill. Sadly, this was not the case. I admired the view, admired the fountain, and headed back down to catch the bus home.

To my great disappointment, when I returned home I realized that I had not in fact reached the summit of the Gianicolo. Had I brought a map, I most likely would have realized this, but seeing the layout of the land on the map the directions to go up until I needed to go right made much more sense. A week later, I returned to Trastevere, with a map and a guidebook. This time, I would stay out of the basements, and check my map regularly and find the actual top of the Gianicolo Hill.

Piazza Garibaldi was not much further from where I had turned around the first time. I had discovered a slightly shorter path up the hill, which brought me to the foot of the San Pietro in Montorio. I climbed the wide increasingly steep staircase and passing the stations of the cross before I exited in front of the church’s courtyard. Visible through a locked gate is the Tempietto di Bramante – the temple of Bramante, built for the Spanish royal family in 1502 to mark the spot of the martyrdom of St Peter. It is considered by many to be the first great building of the high Renaissance, although the spot of the martyrdom of St Peter was later determined to have occurred elsewhere. I peeked into the church, but it was dark, and after my close call the previous week I was not going inside.

Continuing up the hill and turning down the aptly named Passegiatta del Gianicolo, the walk along Gianicolo, I arrived slightly before 10 am. This is before the venders and street hawkers have a chance to set up their wares, and Piazza Garibaldi is crowd free and peaceful. It was a bit hazy over the city, but it was a lovely quiet view of Rome. The park at the top of the hill is full of the busts of men I assume are compatriots of Garibaldi and heroes of long ago. I returned down the hill, taking a set of stairs that emptied into the same crowded street I had seen the week before.

On this visit to Trastevere, I decided to visit the large palazzi, once homes to Roman elite, and now open for the general public. The first visit was Villa Farnesina, known for the frescoes painted by Raphael. The most well-known of the frescoes by Raphael are found in the Vatican Museums. In my visit to the enormous museum, I didn’t quite make it to the Raphael Rooms. By that time on the tour, we just wanted to escape the crowds. In Villa Farnesina, for just 6 euros, you can enjoy some lovely frescoes in a far more peaceful environment. Aside from the painted walls and ceilings, it is unfurnished. Unless you purchase the audio guide, or come in with a guide, it won’t take long to get through. It is lovely, but small.

With quite a bit of time left I decided to visit the larger Corsini Gallery, located just across the street. The ticket to this gallery is a bit more expensive, but if you visit Palazzo Barbarini within ten days, you receive a discount on the entrance fee.  I thoroughly enjoyed this gallery. Each room contains a map detailing the paintings and statues you’ll find there. I thought it was much like a slightly smaller version of Villa Doria Pamphilj or Palazzo Barbarini. It is full of lovely paintings and sculptures, although I probably wouldn’t have known many of them if I hadn’t visited so many other art museums in Rome. Among the paintings there, you will find Caravaggio’s  St John the Baptist, several paintings by Guido Reni, a painting by Artemisia Genteleschi’s father, and a couple by Rubens.

When I visited, there was a special exhibit with paintings by Daniele da Volterra. The two Caribinieri officers standing guard in the room indicated that these were indeed special paintings. Da Volterra is best known today as the painter who covered the nudes on Michelangelo’s last judgement, but his paintings are beautiful. His Madonna and child was exquisite, but under glass and casting too strong a reflection to capture in a photograph.

As much as I enjoy strolling through these large palazzi, I find it just a bit sad as well. These beautiful museums were at one time the homes of people who lived a lush insular existence, never dreaming that one day their world would be so changed that the public they sought to separate themselves from would traipse through their private rooms and that they would exist only in the histories and our imaginings of their opulent lives.

After the visits to the museums, I wandered through the streets and over to the Isola Tiberina, and once again aimlessly wandered the streets of Trastevere, before catching the bus home.

Over the course of my two visits to Trastevere, I managed to walk a grand total just under 16 miles.  I didn’t see quite everything in this Rione, how could you capture centuries of life in just two days, no matter how densely packed your travels are?

 

 

Head over to the Daily Post it you’d like to see some more examples of Dense.

Friday Fotos: A collection of favorites

March 31, 2017


Here are a few of the most recent photos I’ve posted on Instagram. Most of them are various spots around Rome, with one exception – the beautiful Citadel Park in Copenhagen.

For some reason, I find that Rome is easier to capture in photographs than it is in words. Perhaps it’s the long history, or the complex character of the city and its many Riones, or maybe it’s the sheer variety of people that call the eternal city home. Whatever it is, I’ll continue to try and capture the elusive spirit of the city that I call home, for now.

 

Seeking Green Spaces – Friday Fotos on Saturday

March 25, 2017


Every now and again, you just need to get out of the city.

Every now and again,  I crave more country than the parks of Rome can provide. Fortunately for me, skirting the border of the city is a surprising amount of beautiful farmland. The gently rolling hills of Lazio bear a closer resemblance to the famed hills of Tuscany than the fabled seven hills of Rome.

In these wide swaths of green space, you’re more likely to encounter a tractor than a Vespa, and the traffic – well, sheep may be your biggest problem here.

One overcast afternoon, we needed a break from the city. A short 15 minute drive and we were at a quaint family run Agritourismo, for a delicious organic lunch.  We remained for a while after we finished eating and let the children frolic in the green fields, just soaking in the pastoral beauty – with the Roman skyline in the distance.

Head on over to the Daily Post for more Green.

 

 

Adventure sometimes comes in the most unexpected of places. I enjoy exploring alone. When I’m alone, I don’t need to worry about keeping pace with anyone, or going off schedule, or charging in and trying something new. Sometimes I find a view that takes my breath away. Sometimes I’ll have an interesting conversation. Sometimes I’ll …

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Friday Fotos: The Road Taken – The Appia Antica

March 3, 2017


In its heyday, the Appia Antica ran from the Roman Forum to Brindisi a port town on the coast of what is today Southern Puglia. Construction on the road began in 312 BC under the censor Appius Claudis Caecus and was completed in 244 BC. While much of the original 350 miles (563km) are gone, within the Parco Regionale Dell’Appia Antica remnants of the original road survive to this day.

The Appia Antica is one of my favorite places to explore. Although it is just to the south of the city, the park seems like another world, where you’re as likely to encounter sheep and horses as you are cars, bicycles and joggers.

Along the way, you’ll stumble across churches, catacombs, tombs and homes – both currently occupied and ancient ruins, like the Complesso di Massenzio. On this enormous complex, that was once the site of the emperor’s villa, you can run along the remains of a giant circus and explore the eerily silent tomb of his son Romulus.

Not far from the Complesso you’ll find one of the most recognizable symbols of the Appian Antica – the tomb of Cecelia. This tomb is thought to have been built for either the wife or daughter-in-law of Marcus Crassus, a contemporary of Julius Caesar. The tomb of Seneca, the Catacombs of San Callisto and San Sebastiano, and the spot where St Peter encountered Jesus in what is now the Church Domine quo Vadis are just a few of the incredible monuments you’ll encounter on your journey. The information center at Via Appia Antica 58/60 is very helpful and offers free maps as well as maps to purchase. You can find an interactive map on the official Appia Antica Website.

The atmosphere of the Appian Way is spectacular. You’ll find yourself transported through the ages as you stand among the same stones that the figures you’ve read about in your history books traveled on over the centuries.

I find it amazing that many of the original stones are still in the ground. In places, they are intermixed with modern cobblestones, but they remain. Etched deeply in places with continued use, but through everything, they are there still.

I have not tried to get there by public transportation, but you can visit the park by bus. The 118, 218 and 660 bus lines all have stops on the Via Appia Antica. If you wish to plan your trip by bus,  I find MouversiRoma and Google Maps to be great help when I travel by public transportation in Rome.

Stop by the DailyPost and see what others have found on their journey down the road taken.

Friday Fotos: Shadow

February 10, 2017


Quite possibly the best thing about living in Rome is access to an incredible diversity of Art. There are more museums in Rome than I could possibly visit in one lifetime, let alone a brief three year stay. That hasn’t stopped me from trying though.

This week I paid a visit to the Galleria Doria Pamphilj on Via Del Corso.  I have walked past this rather non descript building several times, each time thinking I should probably stop in there one day. The Palazzo is richly decorated with intricately detailed decorative ceilings and floor to ceiling paintings in  many rooms. While I found many of the paintings themselves to be very heavy and dark, it was a fantastic glimpse into the life of a very privileged Italian family.

Perhaps because of this particular theme, I noticed a three paintings in particular that played with the idea of shadow and light. The artists were able to create detailed scenes relying on the subjects’ positions within the shadow, created by a tiny illumination in the dark. I was simply fascinated by the fact that they were able to capture so much, with so little light.

Art is more than just the literal shadow. Michelangelo is quoted as saying: “The true work of art is but a shadow of the divine perfection.”  That may be so, but what a shadow it is! Here are some pieces that I’ve seen lately.

The beauty of these works of art leaves me to wonder if perhaps the beauty of the shadow is preferable to the harsh light of reality.

“But would you kindly ponder this question: What would your good do if evil didn’t exist, and what could the earth look like if all the shadows disappeared? After all, shadows are cast by things and people. Here is the shadow of my sword. But shadows also come from trees and living beings. Do you want to strip the earth of all trees and living things just because of your fantasy of enjoying naked light? You’re stupid.”

― Mikhail Bulgakov, The Master and Margarita

Saint Teresa in Ecstasy can be found in the Church of Santa Maria della Vittoria on via XX Settembre. This was another place I had unknowingly passed many times before stopping in.

Nathan Sawaya’s work in Lego’s is currently on display in the Parco della Musica.

The Knight and the painting Meditation are part of the Scuderie del Quirinale’s show il Museo Universale – Dal Sogno di Napoleane a Canova.

The Klimt and Monet are on display at the  Galleria Nazionale d’Arte Moderna e Contemporanea. The current show is Time is out of Joint.

 But for all the beauty of  Art and shadow, it would be nothing without the light of the real world to inspire it. For what is one without the other?

“All the variety, all the charm, all the beauty of life is made up of light and shadow.”

― Leo Tolstoy, Anna Karenina

 

Find more Shadows at the Daily Post

More than 2,000 years of history ensures that you’ll stumble across a familiar name or two in Rome. A walk down nearly any street is a chance to mingle with the names of people, places, and events found within the pages of travel guides, histories, myths, and novels. Perhaps its emperors you’ll encounter, like Augustus, Caesar, Hadrian. Maybe …

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Rome. It is many things, but most of all, it is Resilient. It has changed much since it was first founded, but it endures, it continues. Walk along almost any street in Rome and you are inundated with evidence of the passing of time. An ancient archeological site sits next to a Renaissance palace. Exit …

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